François Daulte (Q3084368)
art critic (1924-1998)
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Current Data About François Daulte
(P18) Image Provided By https://commons.wikimedia.org/wiki/File:François_Daulte,1985,_by_Erling_Mandelmann.png

(P19) (Q68160)

(P20) (Q807)

(P21) (Q6581097)
(P248)
(P268) 118987352
(P813) Saturday, October 10, 2015

(P27) (Q39)

(P31) (Q5)
(P248)
(P268) 118987352
(P813) Saturday, October 10, 2015

(P69) (Q273534)

(P106) (Q1607826)

(Q4164507)

(P166) (Q13452528)
(P143)

(P373) François Daulte

(P569) Thursday, June 26, 1924
(P248)
(P268) 118987352
(P813) Saturday, October 10, 2015

(P570) Saturday, April 18, 1998
(P248)
(P268) 118987352
(P813) Saturday, October 10, 2015

(P735) (Q1166840)

(P800) (Q15618746)

(P1299) (Q109964583)
(P854) https://www.lootedart.com/news.php?r=MKP0SS308951
(P1683) "Kückelmann in Munich and Michel Halperin, Fischer’s lawyer in Geneva, investigated and discovered that the exhibition included at least five Schönart/Lohse pictures, with no provenance given except “Swiss Private Collection.” Among them were Corot’s Femme assise, tenant une mandoline (1826–28) and Sisley’s L’Abreuvoir à Marly-le-Roi (1875). The curator of that show was the French art historian and Renoir cataloguer François Daulte, whose death in 1998 led to a major scandal. His heirs found in his safe at the Credit Suisse Bank in Lausanne 24 paintings by Corot, Degas, Gauguin, Manet, Morisot, Renoir, and Toulouse-Lautrec that had belonged to Anne-Marie Rouart and should have been given to the Académie des Beaux- Arts and its Marmottan Museum in Paris by the executors of her will, one of whom was Daulte’s son Olivier." (language: en)

(Q100451601)
(P854) https://lootedart.com/news.php?r=OSTJ7D283051

(P1412) (Q150)
(P248)
(P268) 118987352
(P813) Saturday, October 10, 2015