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(P793)
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(Q107614552)
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(P248)
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(P854)
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https://www.nytimes.com/2009/02/03/arts/design/03arts-MUSEUMSHEIRS_BRF.html
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(P1683)
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"The suit involved “Le Moulin de la Galette,” given to the Guggenheim in 1963 by the art dealer Justin K. Thannhauser, and “Boy Leading a Horse,” sold by Mr. Thannhauser to William S. Paley, who donated it to MoMA in 1964. In 2007 lawyers for Julius H. Schoeps, a great-nephew of the paintings’ original owner, Paul von Mendelssohn-Bartholdy, told the museums that they believed Mr. Mendelssohn-Bartholdy, a German Jewish banker who died in 1935, had sold the works to Mr. Thannhauser under duress, and demanded their return." (language: en)
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(Q167412)
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(P248)
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(P854)
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https://www.nytimes.com/2009/02/03/arts/design/03arts-MUSEUMSHEIRS_BRF.html
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(P1683)
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"The suit involved “Le Moulin de la Galette,” given to the Guggenheim in 1963 by the art dealer Justin K. Thannhauser, and “Boy Leading a Horse,” sold by Mr. Thannhauser to William S. Paley, who donated it to MoMA in 1964. In 2007 lawyers for Julius H. Schoeps, a great-nephew of the paintings’ original owner, Paul von Mendelssohn-Bartholdy, told the museums that they believed Mr. Mendelssohn-Bartholdy, a German Jewish banker who died in 1935, had sold the works to Mr. Thannhauser under duress, and demanded their return." (language: en)
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(Q107614552)
(Q107614552)
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(P248)
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(P854)
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https://www.lootedart.com/news.php?r=P3WASW805401
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(P1683)
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"The Mendelssohn-Bartholdy heirs and their Washington-based lawyer argue that Thannhauser was never the legal owner of the paintings. But Andrea Bambi, who researches the provenance of works of art for the Pinakothek in Munich, insists that the sale was legitimate." (language: en)
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(Q107614552)
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(P248)
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(P854)
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https://www.nytimes.com/2020/03/31/arts/design/picasso-national-gallery-of-art-heirs.html
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(P1683)
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"A relative of the famous composer Felix Mendelssohn and the Enlightenment philosopher Moses Mendelssohn, Mendelssohn-Bartholdy was ousted from the Central Association of German Banks and Bankers in 1933 and from the board of the Reich Insurance Office in 1934. The family bank was “aryanised” — transferred to non-Jewish ownership — in 1938.“Head of a Woman” was sold to the dealer Justin K. Thannhauser in 1934. The National Gallery of Art says it acquired the pastel as a donation in 2001." (language: en)
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(P1830)
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(Q28848149)
(Q1799228)
(Q41516006)
(Q60483497)
(Q30073522)
(Q28035859)
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(P854)
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https://emuseum.mfah.org/objects/131731/still-life-with-mangoes-and-a-hibiscus-flower
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(P1683)
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"PROVENANCE[Justin K. Thannhauser, Munich (before 1928)]; Dr. Fritz Rosenfeld, Stuttgart (by 1928); Dr. Blum (?); [Galerie Fischer, Lucerne, June 1-5, 1948, no. 2103 (ill., pl. 22), consigned by Dr. Blum]; [Martin Fabiani, Paris]; sold to [Marianne Feilchenfeldt, Zurich, 1959]; subsequently transferred by sale or exchange to [Thannhauser, New York]; [Galerie Art Point (sold: Sotheby's, London, June 27, 1989, no. 16]; Private collection, Japan (aquired at the above sale, 1989); James Francis Trezza, New York; Private collection, Dallas County, Texas, December 2004; Private collection, 2009 (aquired privately from Texas collector with the benefit of a settlement with the Rosenfeld heirs); [Sotheby's, London, February 3, 2016, lot 24]; purchased by the MFAH, 2016." (language: en)
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(Q11771568)
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(P854)
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https://www.philamuseum.org/collection/object/52064
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(P1683)
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"Provenance Émile Bernard (1868-1941), Paris; with Ambroise Vollard, Paris; Amédeé Schuffenecker (1854–1936), Clamart, 1908; Fritz Meyer-Fierz, Zürich, by 1924; sale, Meyer-Fierz, Frederich Muller and Company, Amsterdam, July 13, 1926, no. 10. With Galerien Thannhauser, Munich and Lucerne (later Berlin and Paris), by 1927 to c. 1937 [1]. Knoedler & Co., New York, joint ownership (half share) with Mme Paul Guillaume (Domenica Guillaume), June 21, 1937 to 1946 [2]; sold to William M. Elkins (1882-1947), Philadelphia, May 1946 [3]; his wife Elizabeth "Lisa" C. Norris Elkins (1898-1950), Philadelphia; bequest to PMA, 1950.1. Exhibited at Thannhauser Galleries, Berlin, "Erste Sonderausstellung in Berlin," January 9-February 1927. Published in de la Faille, 1928 (no. 490) as Thannhauser Gallery, Munich. The Thannhausers closed their original Munich gallery in 1928; they closed the Berlin branch in 1937 and moved to Paris.2. Getty Research Institute, Knoedler Book 8, stock no. A1882, p. 173. De la Faille, Vincent van Gogh, 1939, no. 520, lists the current owner as Reid & Lefevre Gallery, London on p. 369, although the painting is still listed under Thannhauser Gallery, Paris, in the "Index of Collections" (p. 559)." (language: en)
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(Q7710610)
(Q19882898)
(Q64618769)
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